TREATMENT OF SPECIMENS
1. The commonest form in which fossils are collected is that which has been described as impression material. In many cases these will need no further attention after the block of stone on which they lie has been chipped into shape.
In chipping a block down to the size required it is best to hold it freely in the left hand, protecting the actual specimen with the palm where possible, and taking the surplus edges away by means of short sharp blows from the hammer, striking so that only small pieces come away with each blow. For delicate specimens it is wise to leave a good margin of the matrix round the specimen, and to do the final clearing with a thin-bladed penknife, taking away small flakes of the stone with delicate taps on the handle of the knife.
Specimens from fine sandstones, shales, and limestones are usually thoroughly hard and resistant, and are then much better if left without treatment; by varnishing and polishing them many amateur collectors spoil their specimens, for a coat of shiny varnish often conceals the details of the fossil itself. Impressions of plants on friable shales, on the other hand, or those which have a tendency to peel off as they dry, will require some treatment. In such cases the best substance to use is a dilute solution of size, in which the specimen should soak for a short period while the liquid is warm (not hot), after which it should be slightly drained and the size allowed to dry in. The congealed substance then holds the plant film on to the rock surface and prevents the rock from crumbling away, while it is almost invisible and does not spoil the plant with any excessive glaze.
2. For specimens of casts the same treatment generally applies, though they are more apt to separate completely from the matrix after one or two sharp blows, and thus save one the work of picking out the details of their structure.
3. Those blocks which contain petrifactions, and can therefore be made to show microscopic details, will require much more treatment. In some cases mere polishing reveals much of the structure:such, for instance, were the “Staarsteine” of the German lapidaries, where the axis and rootlets of a fossil like a treefern show their very characteristic pattern distinctly.
As a rule, however, it is better, and for any detailed work it is essential, to cut thin sections transversely across and longitudinally through the axis of the specimen and to grind them down till they are so transparent that they can be studied through the microscope. The cutting can be done on a lapidary’s wheel, where a revolving metal disc set with diamond powder acts as a knife. The comparatively thin slice thus obtained is fastened on to glass by means of hard Canada balsam, and rubbed down with carborundum powder till it is thin enough.
The process, however, is very slow, and an amateur cannot get good results without spending a large amount of time and patience over the work which would be better spent over the study of the plant structures themselves. Therefore it is usually more economical to send specimens to be cut by a professional, if they are good enough to be worth cutting at all, though it is often advisable to cut through an unpromising block to see whether its preservation is such as would justify the expense.
In the case of true “coal balls” much can be seen on the cut surface of a block, particularly if it be washed for a minute in dilute hydrochloric acid and then in water, and then dried thoroughly. The acid acts on the carbonates of which the stone is largely composed, and the treatment accentuates the black-and-white contrast in the petrified tissues. After lying about for a few months the sharpness of the surface gets rubbed off, as the acid eats it into very delicate irregularities which break and form a smearing powder; but in such a case all that is needed to bring back the original perfection of definition is a quick wash of dilute acid and water. If the specimens are not rubbed at all the surface is practically permanent. Blocks so treated reveal a remarkable amount of detail when examined with a strong hand lens, and form very valuable museum specimens.
The microscope slides should be covered with glass slips (as they would naturally be if purchased), and studied under the microscope as sections of living plants would be.
Microscopic slides of fossils make excellent museum specimens when mounted as transparencies against a window or strong light, when a magnifying glass will reveal all but the last minutiæ of their structure.
4. Labelling and numbering of specimens is very important, even if the collection be but a small one. As well as the paper label giving full details, there should be a reference number on every specimen itself. On the microscope slides this can be cut with a diamond pencil, and on the stones sealing wax dissolved in alcohol painted on with a brush is perhaps the best medium. On light-coloured close-textured stones ink is good, and when quite dry can even be washed without blurring.
The importance of marking the stone itself will be brought home to one on going through an old collection where the paper labels have peeled or rubbed off, or their wording been obliterated by age or mould.
A notebook should be kept in which the numbers are entered, with a note of all the items on the paper label, and any additional details of interest.